Music "Testimony" by Rozhestvensky, a magician of the baton / Bruno Mon Sanji / Kiyoshi Funakoshi

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Music
[Contents introduction]
A shocking collection of testimonies by Gennady Rozhestvensky (1931 ~ 2018), a great conductor of the Russian Shea who survived the Communist regime of the Soviet Union, told the rare filmmaker Bruno Mong Sanji Yong openly about the music education of the Soviet Union, the unreasonable operation and management system of theaters and concerts, and the harsh and irrational situation of the artists.
Mong Sanji Yong produced several film works based on the words spoken by Rozhestvensky, but in order to leave the surprising contents as a book of "literature", it was recomposed in more detail and detail, and was told vividly, just like his conductor, about the exchange with Shostakovich and Rostropovic, about the oppression and harassment of bureaucrats, and about the modus operandi to stop them.
The words are full of anger and agony, full of humor and pathos.
Distant memories.
3 Debut in Bolshoi
4 Musical instrument in Bolshoi
5 Teachings of Socialism and Realism
6 Debut abroad
2 Musical instruments in the Bolshoi
7 Departure Vistas
8 Village festivals
5 Teachings of Socialism and Realism
6 The author of many documentary films about famous 20th century musicians such as Gould, Richter, Owistrak, アンデルジェフスキ, Menuin, Riveter, Gregory Sokolov, Frey, and Macela. He has also published books about his conversations with Richter and nadir Boulanger. As for Gould, he produced several films from 1973 to 1981. He wrote books such as 『, I'm not eccentric, Glenn Gould Dialogue Collection 』 (Ongaku no Tomo, Inc.), 『 Richter 』 (Tsukama Shobo), etc. He is also known as a leading figure of introduction of Gould in puritain by translating and publishing in French a collection of Gould's works 『 Le dernier French (the last Puritan) 』 『 Contrepoint a la ligne (the opposite of a line) 』. 1943 Shea Kowa David Oistrakh Ferrero Tikhon Khrennikov