Music Mechanism and Maintenance of String Instruments / Akira Sasaki

Product description ※Please note that product information is not in full comprehensive meaning because of the machine translation.

Music
[Introduction to the Contents]
The master violin maker responds sincerely to 55 questions about instruments, including "Please tell me the specific points of choosing instruments," "What is a glue?" and "Please tell me about the motion of a piece = the role of the soul pillar," to the players of string instruments (violin, viola, cello, contrabass), while showing the scientific grounds.
It also contains "String tension data" and "Comparison table of musical scale and frequency" which help to think objectively.
Full of of hints for a long term relationship with instruments with "curiosity".
A long seller since the first edition in 2000, 『 String Instruments Mechanism and Maintenance 2 』, Features of String Instruments and Maintenance 2 『, Features of String Instruments and 』, Features of String Instruments and Maintenance.
I heard that there is an outer frame style, but what is the difference?
Is incantation a meaningful decoration?
What kind of thing is glue?
In order to become a violin maker, it is better to do it right after graduating from junior high school.
■ Chapter 3 Common Sense and Insane Concerning Bows
Materials of bows
Is the grade of bows decided by the number of "asterisks"?
When should I change the bow once a year?
◎ There are hairs that are easy to apply and hairs that are hard to apply.
Danger of manipulating the center of gravity of bows
◎ When is the best time to change the bow tip?
Some people attach a tube to the cello bow, but should I attach it?
What is the difference between French and Belgian pieces? Rare.
Grew up in Hachijojima Island until high school.
In 1982, he entered the Department of Physics (Natural Science) at the University of Tsukuba.
At that time, he joined the University of Tsukuba's Orchestra and started a viola.
He became involved in orchestra activities and eventually got into this job.
In 1987, he dropped out of university and entered the "Tokyo Violin Production School" of Zoroku Muryoto, who is the leading person in violin production.
After graduating in the jumping class, he worked as an assistant to Muryoto, and in 1991, he worked as a ゲゼーレ (craftsman) in the studio of Josef Cantouscha, who is a world-famous German producer.
In 1995, he returned to Japan after passing the 1963 https://sasakivn.com/blog/ straight grain flat grain Koenji https://www.sasakivn.com/index.html