Tsutsunami no Ki / Naoya Hatakeyama

※Please note that product information is not in full comprehensive meaning because of the machine translation.
Japanese title: 単行本(実用) 写真 津波の木 / 畠山直哉
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Item number: BO4366378
Released date: 28 Feb 2024
Maker: Shogakukan

Product description ※Please note that product information is not in full comprehensive meaning because of the machine translation.

Photos by Mr. Naoya Hatakeyama, a photographer who is known around the world for photos related to the city such as "The City's Mascot" by 『 BLAST 』, who is fascinated by the shape of the trees standing despite being hit by the tsunami. In March 2011, he lost his home in his hometown of Rikuzen-Takata due to the tsunami of the Great East Japan Earthquake. Since then, he has taken photographs of the changes of time from the devastation to the collapse of the mountain, the filling of the soil, and the construction of the seawall. This is a collection of photographs of trees in Fukushima, Miyagi and Iwate. He was guided by the image of a Japanese walnut that is left on the earth, half dead and half alive, and left his hometown. What does the image of trees tell in the path of reconstruction from the earthquake disaster? A photographer who was caught in a feeling of no place to go while filming the changing state of his hometown of Rikuzen-Takata since he lost his mother due to the tsunami, met through a lens with trees that are left along the coast despite being hit by the tsunami. This is a collection of photographs of the path of encounter with the trees in the three northeastern prefectures. In the past, Mr. Hatakeyama said that he was taking pictures of his hometown after the tsunami because he wanted to report the whole incident to someone who is beyond someone else. What can we feel from the image of the trees that are left on the earth without anything else? This is a collection of photographs of the path of encounter with the trees in the three northeastern prefectures. In the past, Mr. Hatakeyama said that he was taking pictures of his hometown after the tsunami because he wanted to report the whole incident to someone who is beyond someone else. What can we feel from the image of the trees that are left on the earth without anything else? This is