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Japanese literature
A lonely, wounded boy met the only female swordsmith in Japan. "Why do you make a sword?" His classmate, Tsuchiya, asked the main character, Sakotetsu, with an open question. "What is the purpose of making a sword?" This is not only the question of Sakotetsu himself, but also the question of the author. The master says, "There is a form that wants to become a sword." If there is a form that wants to become a sword, is not only the question of Sakotetsu, but also the question of the author. In the story, I can't help but feel the difficulty and preciousness of human life as well as the nature is right. In the story, the craftsmen who took on the role are working hard to connect with tradition even though they have various wounds and circumstances. In the form of the sword, I can't help but feel the difficulty and preciousness of human life. In the story, I can read it refreshingly even though I feel the conflict among the craftsmen who make swords. I can't help but feel the light of the words, "A pen is stronger than a sword," in the author's polite and powerful brushwork. Although he is said to be the only female swordsmith in modern Japan, he can't stand the gaze of his classmate who sees his burn, and he can't go to school. He is said to be the only female swordsmith in modern Japan. He is said to be the only female swordsmith in modern Japan. He can't stand the gaze of his classmate who sees his burn, and he can't go to school. He is said to be the only female swordsmith in modern Japan. He is said to be the only swordsmith in modern Japan. He is said to be the only female swordsmith in modern Japan. He is said to be the only swordsmith in modern Japan. He can't stand the gaze of his classmate who sees him burn, and he can't go to school. He is said to be the only female swordsmith in modern Japan. He is said to be the only swordsmith in modern Japan. He says, "You don't have to go to school, but you can help me with the work instead." He says, "You don't have to go to school, but you can help me with the work." He is said to be the only female swordsmith in modern Japan. He can't stand the gaze of his classmate who sees him burn, and he can't go to school. He is said to be the only female swordsmith in modern Japan. He is said to be the only swordsmith in modern Japan. He can't stand the gaze of his classmate who sees him burn, and he can't go to Kagariya 剱田 Mito Mahara