Gakunin Group and Gagaku Culture in the Early Modern Period / Hei Atsushi Yamada

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Japanese History
[Introduction to the Contents]
Gagaku developed in the Imperial Court society became widely accepted across the country in the early-modern times.
When a group of musicians was organized under the patronage of the Tokugawa Shogunate, many songs and events were revived and the theory of music and philosophy of music were deepened.
Looking at the Imperial Court, the Shogunate, temples and shrines, the relationship of control over the musicians, their social status, and the form of attendance were examined.
We also explore what kind of relationship they had with their amateur disciples.
Contents
Introduction
Problems in the History of Early-modern Gagaku
Part 1 Structure of the Group of Musicians
Chapter 1 Process of Establishment of Early-modern Sanpogakusho
Chapter 2 Organizational Structure of Early-modern Sanpogakusho
Chapter 2 Structure of the Spread of Gagaku
Chapter 1 Control of Gagaku in Early-modern Japan
Chapter 2 Spread and Development of Early-modern Samurai Gagaku
Chapter 2 Cultural Structure Surrounding Gagaku
Chapter 1 Restoration of Koto music by Yoshimune TOKUGAWA - One frame related to the Court and the Shogunate in the Kyoho period
Chapter 2 Cultural structure surrounding Gagaku
Chapter 1 Restoration of Koto music by Tokugawa Momijiyama
Chapter 2 Spread and Development of Early-modern Samurai Gagaku
Chapter 2 Cultural structure surrounding Gagaku